Uniwersytet śląski The self industry: therapy and fiction

Tytuł The Self Industry: Therapy and Fiction Język angielski Wydawnictwo Uniwersytet Śląski ISBN 978-83-8012-425-7 linia Prace Naukowe UŚ; Historia Literatur Obcych Rok wydania 2015 Katowice Wydanie 1 liczba stron 370 Format pdf Spis treści Contents Introduction / 9 Part One Narcissists and Neurotics. Writing of Dissent Niclas Johansson Narcissus and Narcissism in Early Psychoanalysis: The Intertextual Dialogue between Theme and Concept / 15 Maria Korusiewicz The Ajase Complex and Freudian Psychoanalysis: Some Notes on the Cultural Consequences of "Foundational Myths" / 27 Tadeusz Lewandowski A Critique of the Discourse of the Self in Michael Sandel’s Liberalism and the Limits of Justice / 40 Stephen Dewsbury The Self in Temporary Autonomous Zones / 53 Benjamin Betka De-Pressed Masses: Affective Dissonance in Melancholia, Disease, and the Screened (American?) World / 62 Tomasz Gnat Narcissus’s Narcosis: Formation of Self, Disintegration of Self: A Question of Interactive Entertainment and Player-Character Identity Correlation / 75 Part Two Herstories: The Self and Women’s Literature Karen Ferreira‑Meyers Doubling or Dividing the Self: Examples from Autofictional Writing as Influenced by Psychoanalysis / 89 Anna Bugajska Descent into Hell. Pauline Anstruther’s Long Way To Her Self / 102 Grażyna Zygadło "I change myself, I change the world." Storytelling in Women’s Art / 111 Sławomir Kuźnicki Writing to Preserve the Self: A Woman’s Resistant Position in the Patriarchal Dystopia of Margaret Atwood’s The Handmaid’s Tale / 123 Karolina Błeszyńska In the Search of Self: Female Identity and Subjectivity in Doris Lessing’s "To Room Nineteen" / 137 Part Three Therapy through Writing? Łukasz Giezek A Therapeutic Journal: Peter Ackroyd’s The Last Testament of Oscar Wilde / 151 Tomasz Markiewka T(h)au for Torture? Writing on Trial in Teodor Parnicki’s Novel The Finger of Threat / 161 Eliene Mąka-Poulain "In Violence and Epiphany": Seamus Heaney’s North / 178 Wojciech Drąg Writing Cure? Narrating Loss in Kazuo Ishiguro’s An Artist of the Floating World and The Remains of the Day / 190 Anna Cholewa-Purgał Neo-Nihilism and the Self Industry of Logotherapy / 205 Małgorzata Nitka "So many pages a day." Writing, Compulsion, and Modernity / 228 Agata Wilczek Unnameable Loss: Melancholy and Postmodern Writing / 240 Part Four Searching the Self Aleksandra Lubczyńska Illness – Therapy – Catharsis. Gender Roles, Camp, and Postmodern Identities in The Rocky Horror Picture Show / 265 Maria Perzyńska Therapy or Obsession? Dante Gabriel Rossetti’s Problems with His Self / 276 Jarosław Giza Trapped in a Vicious Circle of the Tragic Triad… Miltonian Satan and Conradian Kurtz’s Process of Unearthing Authentic Identity / 285 Stephen Harris Questioning the Cultural Industry of the Self: Fiction, Selfhood and Individualism in Patrick White’s The Vivisector / 296 Sławomir Konkol I Am Not Me. The (Re)construction of the Self in Graham Swift’s Ever After / 319 Alicja Bemben, Ewa Mazur-Wyganowska Romantic Legacy in Non-Romantic Times. Two Different-Similar Approaches to Searching for Self-Identity / 334 Monika Gorzelak Frame of Mind. Self Industry in Performance / 344 Wojciech Szymański Venice–Iceland: A Journey to Utopia / 353